Accession No

1782


Brief Description

compound microscope, culpeper type, loft first form, 1740 (c)


Origin


Maker


Class

microscopes


Earliest Date

1740


Latest Date

1740


Inscription Date


Material

wood (lignum vitae, oak, pine, hardwood); lacquer; glass; metal (brass); paper (pasteboard); hide (leather, vellum); organic (horn); ivory


Dimensions

height 410mm; breadth 170mm; depth 170mm box height 457mm; depth 201mm; breadth 196mm


Special Collection

Heywood collection


Provenance

Purchased from the H. Heywood collection under estate duty exemption benefit with the assistance of a grant-in-aid administered by the Science Museum. Dr. Frances Heywood stated that this was donated to H. Heywood by Miss. Court after T.H. Court's death.


Inscription


Description Notes

Octagonal foot with fitted drawer for accessories. Pine core with hardwood veneer finished with red lacquer with gold painted chinoiserie decoration; hole in base for swinging concave mirror (missing).
Three brass legs with diamond cross-section and ornamental ridges to support the stage; legs terminate on a brass ferrule which hold the pasteboard collar. Stage has circular central aperture and fittings for stage forceps, frog plate, wheel of specimens, etc. with spring clips below the stage; collar covered in red leather decorated with elaborate gold tooling incorporating flower, moon & tudor rose motifs (Turner.GL’E No’s. 47, 49, 44).
Optic body with lignum vitae snout, pasteboard draw-tube covered with green vellum and with gold vertical lines and ink dots for focussing positions; lignum vitae threaded ferrule to a turned brass eyepiece and sliding lens cover; field lens and eyepiece set in brass cells; eyepiece in wooden ferrule; field lens in horn ferrule.
Five objectives in horn cells marked ‘.....’ to ‘.’ [hearts rather than dots]. Extant accessories: frog plate, wheel of specimens; tweezers; glass stage; 2 glass live tubes; four ivory 4-object slides; ivory talc box; (2 stage forceps neither original). Oak pyramidal carrying case; brass key plate; carrying ring.


References


Events

Description
The 'culpeper' type microscope

Edmund Culpeper, an instrument maker and engraver of outstanding quality developed the tripod compound microscope in the early 18th century. He mounted the body on two tiers with tripod legs and added a mirror below the stage ( the part that holds the specimen). This made it possible to illuminate the specimen from below without having to hold the instrument to the light.

The 'Culpeper' form of microscope quickly became immensely popular and the design was copied by all the leading instrument makers of the 18th century. The materials used gradually changed as the century progressed, from leather, wood and brass, to all brass by 1800.

More on compound microscopes

Culpeper type microscopes are compound microscopes. The compound microscope was developed during the 17th Century and was closely related to the refracting telescope. Its popularity increased after the publication in 1665 of Robert Hooke’s (1635-1703) Micrographia. Micrographia contained detailed pictures, never before seen, of insects magnified using a compound microscope.

A compound microscope uses two or more lenses. The lenses are held at certain distances from each other and are mounted inside a rigid tube. The tube was usually made from pasteboard, ivory, or most commonly, brass. The basic compound microscope magnifies an image in two stages -

Stage one: Light from a mirror is reflected up through the specimen into a powerful objective lens.

Stage two: The image produced by the objective lens is magnified again by the eye lens, which works like a simple magnifying lens.

The first compound microscope consisted of a simple barrel which would have been held up to the light. Later developments ensured that the compound microscope had a stable base, usually a brass stand and a side pillar.

In the 17th Century, the compound microscope had some serious drawbacks which made it easier to use a simple microscope (which have only one lens) instead. The image produced by a compound microscope was often affected by two types of aberration, known as chromatic and spherical. These aberrations caused blurring to the image (spherical) and the edge of the specimen to colour (chromatic). Chromatic aberration was removed at the end of the 18th Century by Harmanus van Deijlan, an instrument maker in Amsterdam. In 1830, spherical aberration was overcome by Joseph Lister who developed the achromatic lens. Achromatic lenses became widely used in microscopes in the 1850s and are still used today.
30/08/2006
Created by: Corrina Bower; updated by Ruth Horry on 30/08/2006


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