Accession No

0080


Brief Description

compound microscope, culpeper type, Loft first form, circa 1740


Origin


Maker


Class

microscopes


Earliest Date

1740


Latest Date

1740


Inscription Date


Material

wood (pine, hardwood, lignum vitae); metal (brass); glass; paper (pasteboard); hide (leather, vellum); ivory


Dimensions

height 412mm; depth 170mm; breadth 170mm box height 440mm; depth 196; breadth 197mm


Special Collection

Robert Whipple collection


Provenance

Purchased by Robert Stewart Whipple from Charles Worth, London, in 12/1922 for £6.


Inscription


Description Notes

Octagonal foot with pine core and hardwood veneer, drawer in foot with brass handle; diamond shaped brass legs to lignum vitae ferrule; notch supports stage; swinging concave mirror [not original] on foot; stage with central aperture and fixings for frog plate and stage forceps; pasteboard collar covered with red leather and stamped with gold tooling. Pasteboard body covered with green vellum and decorated with vertical parallel gold lines and marks for focussing points; lignum vitae snout; lignum vitae with brass band ferrule for eye piece; lignum vitae eyepiece with field lens; eyepiece in brass mount; brass lens cover with slide.
Accessories: 5 objectives marked ‘. - .....’; ivory talc and ring box; (brass live-object slide serial no. 617) wheel of slides; frog plate; ivory black and white ground; glass plate; ivory ring; brass tweezers; (2 ivory 4-object slides; 1 large glass plate - not original). Lignum vitae disc with screw thread through rough ivory shape [unknown function]. Pyramidal box.


References

Boris Jardine; 'The problems with lenses; and the 19th-century solution'; Explore Whipple Collections online article; Whipple Museum of the History of Science; University of Cambridge; 2008: https://www.whipplemuseum.cam.ac.uk/explore-whipple-collections/microscopes/problems-lenses-and-19th-century-solution


Events

Description
The 'culpeper' type microscope

Edmund Culpeper, an instrument maker and engraver of outstanding quality developed the tripod compound microscope in the early 18th century. He mounted the body on two tiers with tripod legs and added a mirror below the stage ( the part that holds the specimen). This made it possible to illuminate the specimen from below without having to hold the instrument to the light.

The 'Culpeper' form of microscope quickly became immensely popular and the design was copied by all the leading instrument makers of the 18th century. The materials used gradually changed as the century progressed, from leather, wood and brass, to all brass by 1800.

More on compound microscopes

Culpeper type microscopes are compound microscopes. The compound microscope was developed during the 17th Century and was closely related to the refracting telescope. Its popularity increased after the publication in 1665 of Robert Hooke’s (1635-1703) Micrographia. Micrographia contained detailed pictures, never before seen, of insects magnified using a compound microscope.

A compound microscope uses two or more lenses. The lenses are held at certain distances from each other and are mounted inside a rigid tube. The tube was usually made from pasteboard, ivory, or most commonly, brass. The basic compound microscope magnifies an image in two stages -

Stage one: Light from a mirror is reflected up through the specimen into a powerful objective lens.

Stage two: The image produced by the objective lens is magnified again by the eye lens, which works like a simple magnifying lens.

The first compound microscope consisted of a simple barrel which would have been held up to the light. Later developments ensured that the compound microscope had a stable base, usually a brass stand and a side pillar.

In the 17th Century, the compound microscope had some serious drawbacks which made it easier to use a simple microscope (which have only one lens) instead. The image produced by a compound microscope was often affected by two types of aberration, known as chromatic and spherical. These aberrations caused blurring to the image (spherical) and the edge of the specimen to colour (chromatic). Chromatic aberration was removed at the end of the 18th Century by Harmanus van Deijlan, an instrument maker in Amsterdam. In 1830, spherical aberration was overcome by Joseph Lister who developed the achromatic lens. Achromatic lenses became widely used in microscopes in the 1850s and are still used today.
30/08/2006
Created by: Corrina Bower; updated by Ruth Horry on 30/08/2006


FM:42147

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