Accession No

0507


Brief Description

compound microscope, culpeper type / style, attributed to Edward Scarlett, English, circa 1750


Origin

England [based on attributed maker]


Maker

Scarlett, Edward [attributed]


Class

microscopes


Earliest Date

1750


Latest Date

1750


Inscription Date


Material

wood (pine, hardwood, lignum vitae); glass; metal (brass); paper (pasteboard); hide (leather, vellum); ivory


Dimensions

box height 457mm; depth 190mm; breadth 192mm


Special Collection

Robert Whipple collection


Provenance

Purchased from T.H. Court on 28/05/1927.


Inscription

All objectives have Science Museum accession number 1918-85.


Description Notes

Octagonal box foot; pine core with hardwood veneer; drawer in base; 3 pillar legs with diamond shaped feet and ridges to support a shaped stage; swinging concave mirror fits into foot; stage with fittings for stage forceps, frog plate etc.; brass circular plate to lignum vitae ferrule and pasteboard collar covered in grained black leather; pasteboard body covered with green vellum and decorated with gold tooled vertical lines and roses and marked in ink for focus positions; lignum vitae eyepiece (field lens missing); eyepiece in lignum vitae cell; screw fit lignum-vitae dust cap with brass sliding cover. 5 objectives marked ‘.’ to ‘.....’; wheel of specimens; ivory talc and ring box; watch-glass; seven 4-object ivory slides. Fitted tapered box.


References


Events

Description
The 'culpeper' type microscope

Edmund Culpeper, an instrument maker and engraver of outstanding quality, developed the tripod compound microscope in the early 18th century. He mounted the body on two tiers with tripod legs and added a mirror below the stage (the part that holds the specimen). This made it possible to illuminate the specimen from below without having to hold the instrument to the light.

The 'Culpeper' form of microscope quickly became immensely popular and the design was copied by all the leading instrument makers of the 18th century. The materials used gradually changed as the century progressed, from leather, wood and brass, to all brass by 1800.

More on compound microscopes

Culpeper type microscopes are compound microscopes. The Compound microscope was developed during the 17th Century and was closely related to the refracting telescope. Its popularity increased after the publication in 1665 of Robert Hooke’s (1635-1703) Micrographia. Micrographia contained detailed pictures, never before seen, of insects magnified using a compound microscope.

A compound microscope uses two or more lenses. The lenses are held at certain distances from each other and are mounted inside a rigid tube. The tube was usually made from pasteboard, ivory or most commonly brass. The basic compound microscope magnifies an image in two stages -

Stage One: Light from a mirror is reflected up through the specimen into a powerful objective lens.

Stage Two: The image produced by the objective lens is magnified again by the eye lens, which works like a simple magnifying lens.

The first compound microscope consisted of a simple barrel which would have been held up to the light. Later developments ensured that the compound microscope had a stable base, usually a brass stand and a side pillar.

In the 17th Century the compound microscope had some serious drawbacks which made it easier to use a simple microscope (which have only one lens) instead. The image produced by a compound microscope was often affected by two types of aberrations known as chromatic and spherical. These aberrations caused blurring to the image (spherical) and the edge of the specimen to colour (chromatic). Chromatic aberration was removed at the end of the 18th Century by Harmanus van Deijlan, an instrument maker in Amsterdam. In 1830, spherical aberration was overcome by Joseph Lister who developed the achromatic lens. Achromatic lenses became widely used in microscopes in the 1850s and are still used today.
30/08/2006
Created by: Corrina Bower; updated by Ruth Horry on 30/08/2006


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