Accession No
2730
Brief Description
stereoscopic viewer, by Carl Zeiss, German, 1930 (c)
Origin
Germany; Jena
Maker
Carl Zeiss
Class
optical
Earliest Date
1930
Latest Date
1930
Inscription Date
Material
metal (alloy, steel); glass
Dimensions
length 201mm; breadth 150mm; height 132mm
Special Collection
Provenance
Transferred from Department of Geography, University of Cambridge, Cambridge, England, 02/1981.
Inscription
‘CARL ZEISS
JENA Nr. 722’ (frame)
‘Carl Zeiss Jena
Verantlinse 9 cm’ (each frame)
Description Notes
Metal alloy; black finish, binocular eyepiece hinged together and adjustable for size with knurled ring round each lens. Detachable eye shades. Mounted on vertical steel pillar with knurled clamp. frosted glass panel hinged to base with sliding steel hinge and knurled clamp. Two steel spring clips. Frame graduated 0 - 90, numbered by 10, divided to 1mm. Base black metal frame with white sliding panel held in position by steel spring clip.
References
Events
Description
A stereoscope produces the illusion of a single three-dimensional image from two slightly different flat images. It works only when the flat images are of identical subjects drawn or photographed from viewpoints approximately equal in separation to the distance between the human eyes. The stereoscope is constructed so that each eye sees only the appropriate image, that is the left eye sees the left viewpoint and the right eye the right viewpoint.
Binocular vision is the means by which slightly different images seen by the two eyes separately are fused in the brain into one solid image and has interested scientists for centuries.
Stereo-viewers could consist of boxes or even large cabinets, often made of walnut, fitted with pairs of viewing lenses and transparent glass slides. By 1900, stereo cards were being mass-produced, on which pairs of photographs were pasted. These were viewed through simple, hand-held stereo-viewers, consisting of a pair of hooded lenses, and a clip to hold the photographic card. The cards depicted views from all over the world.
In the second half of the Nineteenth Century a mass market for stereoscopic photographs was soon established, and the stereoscope, often in ornate forms, became a common feature in Nineteenth Century homes.
01/02/2001
Created by: Toni Parker on 01/02/2001
FM:44601
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