Accession No
5358.1
Brief Description
Ottoman Turkish manuscript sheet, C18th or C19th, with fake image added in late C20th showing map of world. False date of 1734 AD; image is a late C20th forgery.
Origin
Turkey; Istanbul [source of forgery - source of original manuscript sheet is likely to also be Turkey]
Maker
Class
cartography; ephemera
Earliest Date
Latest Date
Inscription Date
1734
Material
paper
Dimensions
width 419 mm; height 301 mm
Special Collection
Provenance
Purchased from Ottoman Miniatures, Haluk Ertezcanh, Sahaflar Carsisi No 18, Beyazit-Istanbul, Turkey from 10/12/1998.
Inscription
(Arabic labels on continents)
Description Notes
Folded Arabic manuscript sheet, C18th or C19th, with late C20th fake map of world added over text on one side. False date of 1734 AD; image is a late C20th forgery.
Paper sheet folded to make a book plate. The reverse shows two pages of black manuscript with some red words, all within a ruled red border. This is original text from a C18th or C19th text. The front side shows a late C20th fake image: a hand drawn and coloured map of the world with labelled continents. Rivers are shown on the land and ships, dolphins and a whale shown in the ocean. There is a latitude scale at the top with 4 lines ruled in red and blue across the map and a labelled wind rose in the South Atlantic with eight ruled lines across the map. The bottom two corners have been stamped in blue with two different inscriptions in a circular pattern. All along the bottom of the map is an inscription in black ink with red, blue and gold decoration. The whole is enclosed in a gold (not gilt) and green border. The whole picture has been painted over script similar to that on the reverse. The image carries the false date of 1734 AD, added by the late C20th forger to deceive.
Condition fair
The whole is somewhat spotted and stained, the corners have all suffered folding and the bottom left one is starting to tear. The original centre fold shows cracking and staining and has yellow paper tape on the reverse, there are a few signs of insect damage at the centre of the lower edge prior to taping. A new fold has been introduced to the left of the tape, this is beginning to tear and lose the ink of the map.
References
Nir Shafir; 'Forging Islamic Science'; Aeon; online article; 11 Sep. 2018: https://aeon.co/essays/why-fake-miniatures-depicting-islamic-science-are-everywhere Nir Shafir; ‘Forging Islamic Science: Fake Miniatures Detract from the Real Work of Early-Modern Ottoman Scientists’; American Scientist 107.3 (2019): 156–61; on p. 158. Nir Shafir; 'Fake Miniatures of Islamic Science'; in: Natalie Fritz and Paola von Wyss-Giacosa (eds.); Visual Reflections across the Mediterranean Sea (Siena: GMS SRL; 2023): 316-23.
Events
Description
This sheet is one of thirteen leaves of Ottoman Turkish manuscript acquired by the Whipple Museum from Istanbul in 1998. Intriguingly, onto each sheet has been added a medical or scientific illustration, hand-painted over the top of the manuscript text below. Confusingly, the images appear to bear no relation to the text onto which they have been added.
Investigation by several experts in the history of Ottoman and Islamic science has revealed these images to be forgeries. The manuscript sheets are original documents from the 18th and 19th century (letters or pages torn from religious and poetic books), but the images were likely added shortly before the sheets were acquired. The intent was clearly to deceive. Each image carries a date from the late 17th or 18th century, supposed owners' stamps, and 'nonsense' annotations have been added to give the air of scientific diagrams. (These annotations are 'pseudo-writing' - written by someone who evidently could not read Arabic or Persian or Ottoman Turkish!)
All of the images on the Whipple Museum's 13 sheets are modern copies or interpretations of earlier medical or scientific drawings. Some of the original images upon which these copies are based are of Persian or Turkish origin, whilst others are European. As such, these images need to be treated with great care. The forger's intent was clearly to present 'typical' Ottoman scientific imagery in a way that would appeal to a non-expert buyer; but the images themselves are not reliable sources for understanding the practice or visual culture of Ottoman science and art.
19/02/2018
Created by: Josh Nall on 19/02/2018
Description
[This is an old label containing errors - now redundant]
While the text of this manuscript dates from the sixteenth or seventeenth century, the illuminated images were painted much later in the mid-eighteenth century. It is likely that the images were produced as part of a growing eighteenth-century tourist trade interested in scientific manuscripts from the Islamic world. The manuscript pages were torn from their original volume and provided the background for the applied illustrations. The subject of the text does not coincide with that of the illuminations. The text is written in both Ottoman Turkish and Classical Arabic, and outlines the practical and liturgical ritual for a person to become ritually pure. In the Islamic world, trusts were set up by pious wealthy individuals in order the serve the community on their death. They were often in the form of hospitals, schools, libraries and institutions of learning, and the inscription suggests that this manuscript is a translation of an important religious text that was part of this trust system. The text promotes the edicts of the hanafi school of law and was likely produced in Anatolia, a non-Arabic speaking part of the Ottoman state, where hanafi law was promoted in its educational establishments. The eighteenth-century illustrations are astronomical or cartographic in nature. One depicts an astrolabe that stylistically resembles Moorish design, which would have been unfamiliar to sixteenth-century Islamic astronomers. The night sky represented is a post-Herschel vision of the heavens and closely resembles photographic images taken through a telescopic lens.
08/07/2014
Created by: Allison Ksiazkiewicz on 08/07/2014
FM:45699
Images (Click to view full size):