Accession No

5358.13


Brief Description

four 18th- or 19th-century book pages joined together, with a fake map of Europe and nonsense Arabic text added in late 20th Century, Ottoman Turkish, false date of 1734 AD but image is a late 20th-century forgery


Origin

Turkey; Istanbul [source of forgery - source of original manuscript sheet is likely to also be Turkey]


Maker


Class

cartography; ephemera


Earliest Date


Latest Date


Inscription Date

1734


Material

paper


Dimensions

width 376 mm; height 553 mm


Special Collection


Provenance

Purchased from Ottoman Miniatures, Haluk Ertezcanh, Sahaflar Carsisi No 18, Beyazit-Istanbul, Turkey from 10/12/1998.


Inscription

(Arabic labels on picture)


Description Notes

Four Ottoman Turkish book pages, C18th or C19th, joined together and with fake map of Europe and nonsense Arabic text added in late C20th. False date of 1734 AD; image is a late C20th forgery.

Four book pages joined with paper tape obscuring some of the black and red Arabic script on the back. These are original manuscript pages disbound from an Ottoman Turkish book. On one side is a fake image added in the late C20th: a map of Europe and northern Africa showing land masses, rivers and oceans (adorned with ships, dolphins and a whale (see 5358.1)). At the top of the map is a star giving longitudes and another in eastern Europe has radiating lines and concentric circles ruled across the map around it. n the bottom third of the map are three gold circles, the central one is the largest and has a city scene and roofs painted in it, the one on the right has an astrolabe and that on the left a portrait. Above the portrait is a lengthy inscription in green ink, purportedly Arabic script but actually nonsense. The map is stamped three times in blue, once in the centre right with a large circular stamp, once at the bottom right with a small square one and with a small circular one in amidst the green inscription. There is a red and green border round the map which is either text or purely ornamental. The map was clearly painted after the sheets were taped together. At the same time as taping the sheets together a small hole was repaired, a portion of the bottom edge was reinforced and the left edge of the lower page extended to make a rectangular sheet. The image carries the false date of 1734 AD, added by the late C20th forger to deceive.

Condition fair
The paper is spotted and stained with a smudge of blue paint on the reverse and other surface dirt. The paper has been folded in four and there is a little flaking of paint along the creases. Where the folds meet the tape has split. The bottom edge has several tears in the right hand side, one through the reinforcing tape.


References

Nir Shafir; 'Forging Islamic Science'; Aeon; online article; 11 Sep. 2018: https://aeon.co/essays/why-fake-miniatures-depicting-islamic-science-are-everywhere Nir Shafir; ‘Forging Islamic Science: Fake Miniatures Detract from the Real Work of Early-Modern Ottoman Scientists’; American Scientist 107.3 (2019): 156–61; on p. 158. Nir Shafir; 'Fake Miniatures of Islamic Science'; in: Natalie Fritz and Paola von Wyss-Giacosa (eds.); Visual Reflections across the Mediterranean Sea (Siena: GMS SRL; 2023): 316-23.


Events

Description
This sheet is one of thirteen leaves of Ottoman Turkish manuscript acquired by the Whipple Museum from Istanbul in 1998. Intriguingly, onto each sheet has been added a medical or scientific illustration, hand-painted over the top of the manuscript text below. Confusingly, the images appear to bear no relation to the text onto which they have been added.

Investigation by several experts in the history of Ottoman and Islamic science has revealed these images to be forgeries. The manuscript sheets are original documents from the 18th and 19th century (letters or pages torn from religious and poetic books), but the images were likely added shortly before the sheets were acquired. The intent was clearly to deceive. Each image carries a date from the late 17th or 18th century, supposed owners' stamps, and 'nonsense' annotations have been added to give the air of scientific diagrams. (These annotations are 'pseudo-writing' - written by someone who evidently could not read Arabic or Persian or Ottoman Turkish!)

All of the images on the Whipple Museum's 13 sheets are modern copies or interpretations of earlier medical or scientific drawings. Some of the original images upon which these copies are based are of Persian or Turkish origin, whilst others are European. As such, these images need to be treated with great care. The forger's intent was clearly to present 'typical' Ottoman scientific imagery in a way that would appeal to a non-expert buyer; but the images themselves are not reliable sources for understanding the practice or visual culture of Ottoman science and art.
19/02/2018
Created by: Josh Nall on 19/02/2018


Description
[This is an old label containing errors - now redundant]
While the text of this manuscript dates from the sixteenth or seventeenth century, the illuminated images were painted much later in the mid-eighteenth century. It is likely that the images were produced as part of a growing eighteenth-century tourist trade interested in scientific manuscripts from the Islamic world. The manuscript pages were torn from their original volume and provided the background for the applied illustrations. The subject of the text does not coincide with that of the illuminations. The text is written in both Ottoman Turkish and Classical Arabic, and outlines the practical and liturgical ritual for a person to become ritually pure. In the Islamic world, trusts were set up by pious wealthy individuals in order the serve the community on their death. They were often in the form of hospitals, schools, libraries and institutions of learning, and the inscription suggests that this manuscript is a translation of an important religious text that was part of this trust system. The text promotes the edicts of the hanafi school of law and was likely produced in Anatolia, a non-Arabic speaking part of the Ottoman state, where hanafi law was promoted in its educational establishments. The eighteenth-century illustrations are astronomical or cartographic in nature. One depicts an astrolabe that stylistically resembles Moorish design, which would have been unfamiliar to sixteenth-century Islamic astronomers. The night sky represented is a post-Herschel vision of the heavens and closely resembles photographic images taken through a telescopic lens.

08/07/2014
Created by: Allison Ksiazkiewicz on 08/07/2014


FM:45711

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