Accession No
6657
Brief Description
coffee table with botanical drawings on tiles, by Dr W. A. R. Dillon Weston, English, mid 20th Century
Origin
England; Cambridgeshire
Maker
Dillon Weston, W. A. R.
Class
natural history
Earliest Date
1930
Latest Date
1953
Inscription Date
Material
wood; metal; plastic (PVC); glass; ceramic tiles; paper
Dimensions
Table: 700mm (width) x 342mm (depth) x 58mm (height) Legs: 415mm (height)
Special Collection
Dr W. A. R. Dillon Weston Collection
Provenance
Gifted to the museum by Dillon Weston's grandson following the death of Dillon Weston's daughter.
Inscription
Tiles have individual labels; see Description Notes for more information
Description Notes
Coffee table with botanical drawings on tiles, by Dr W. A. R. Dillon Weston, mid 19th century
Home-made coffee table, with four wooden legs (no longer attached). The base of the table is plywood, with a brown PVC plastic border attached to the wooden base with small metal screws. The PVC plastic edges are split and warped. There are 15 ceramic tiles set into the table's surface, covered with a sheet of glass. The ceramic tiles range in size from 100 x 100mm to 150 x 150mm, and are beige or white glazed; there are various paper images (watercolour & pencil) and labels (typed) of diseased plants pasted onto the tiles, though some labels are missing.
The tiles, from left to right:
TOP ROW
Tile (100 x 100mm) with an image of rust-infected leaves (creeping thistle?) and two labels pasted on it. Part of the first label has fallen off; the remainder reads "RVENSE" and it may originally have read "CIRSIUM ARVENSE" (the binomial for creeping thistle). The second label reads "PUCCINIA OBTEGENS."
Tile (76 x 150mm) with an image of garlic (?) pasted on; the label is missing.
Tile (76 x 150mm) with an image of a geranium leaf and two labels pasted on it. The labels read "Geranium" and "Botrytis sp"
Tile (76 x 150mm) with four images of rust-infected leaves and a label pasted on it. The label reads "Puccinia Antirrhini"
Tile (100 x 100mm) with an image of a rust-infected leaf and three labels pasted on it. The labels read "Currant Rust," "CRONARTIUM RIBICOLA," and "Blister Rust of Five needled Pinea"
MIDDLE ROW
Tile (100 x 100mm) with three images and a label pasted on it. The label reads "BACTERIUM MARGINATUM."
Tile (150 x 150mm) with an image of an infected sugar beet leaf and two labels pasted on it. The labels read, "Sugar Beet" and "Alternaria tenuis"
Tile (150 x 150mm) with an image of an onion pasted on it; the label is missing.
Tile (150 x 150mm) with three images of cucumber leaves and two labels pasted on it. The labels read "Cucumber." and "Sun Scorch Damage"
Tile (100 x 100mm) with an image and a label pasted on it. The label reads "Bitter pit."
BOTTOM ROW
Tile (100 x 100mm) with an of a carrot and a label pasted on it. The label reads "Sclerotinia sclerotiorium."
Tile (76 x 150mm) with an image of a swede and three labels pasted on it. The labels read "Swede Canker. Phoma Lingam.," PYCNIDIUM," and "-Pycnidia."
Tile (76 x 150mm) with an image of infected lettuce pasted on it. The label is missing.
Tile (76 x 150mm) with an image of an onion (?) pasted on it. The label is missing.
Tile (100 x 100mm) with an image of an infected leaf pasted on it. The label reads "Pseudopeziza ribis"
5 parts: tabletop and four legs
Condition: poor
References
Events
Description
Dr. W.A.R. Dillon Weston spent all of his professional life in Cambridge. After obtaining his degree in Natural Sciences at St. Catharine’s College, Dr. Dillon Weston gained employment as a mycologist (an expert in the study of fungi) at the Ministry of Agriculture and Fisheries. Ministry Pathologists at that time were stationed at universities, where teaching and supervision of students were included as part of their duties.
During the 1930’s, Dillon Weston produced nearly 1,000 watercolour paintings of plants suffering from a wide variety of afflictions: mostly various fungal infections, but also pest attacks, nutrient deficiencies, and bad farming practices. These drawings were produced in connection with his position at the Ministry, which he described as forming a “link between the farm and the research station.” Farmers would send samples of afflicted crops to the Ministry, and Dillon Weston would diagnose the problem and offer solutions. This work was an example of the emerging school of “New” or “Economic” Botany, in which economically important plant diseases were studied with an eye to increasing crop yields.
Typed notes accompanying the paintings suggest that many of them were depictions of samples received by Dillon Weston at the Ministry, though it is unclear why he made them. Like his glass fungi models, also held by the Whipple (Wh.5826), the paintings may have been a hobby undertaken during bouts of insomnia.
Some of these paintings have been cut out and pasted on ceramic tiles, often with labels identifying the fungus depicted. This coffee table was gifted to the museum in 2012, and contains fifteen such tiles underneath its glass surface. The four legs are now detached.
11/09/2018
Created by: Rosanna Evans on 11/09/2018
FM:47280
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