Accession No
6658.31
Brief Description
ceramic tile with drawings of infected gladiolus bulbs, no. 31 of 38, by Dr W. A. R. Dillon Weston, English, mid 20th Century
Origin
England; Cambridgeshire
Maker
Dillon Weston, W. A. R.
Class
natural history
Earliest Date
1930
Latest Date
1953
Inscription Date
Material
ceramic; paper
Dimensions
100 x 100mm
Special Collection
Dr W. A. R. Dillon Weston Collection
Provenance
Gifted to the museum by Dillon Weston's grandson following the death of Dillon Weston's daughter.
Inscription
Typed label, "SCLEROTIUM GLADIOLI"
Description Notes
Ceramic tile with drawings of infected gladiolus bulbs, no. 31 of 38, by Dr W. A. R. Dillon Weston, English, mid 20th century
Glazed ceramic tile (100 x 100 mm), with two images of infected gladiolus bulbs (corms) and one label pasted on it. The image is watercolour on paper. The typed label reads "SCLEROTIUM GLADIOLI"
In good condition.
References
Events
Description
Dr. W.A.R. Dillon Weston spent all of his professional life in Cambridge. After obtaining his degree in Natural Sciences at St. Catharine’s College, Dr. Dillon Weston gained employment as a mycologist (an expert in the study of fungi) at the Ministry of Agriculture and Fisheries. Ministry Pathologists at that time were stationed at universities, where teaching and supervision of students were included as part of their duties.
During the 1930’s, Dillon Weston produced nearly 1,000 watercolour paintings of plants suffering from a wide variety of afflictions: mostly various fungal infections, but also pest attacks, nutrient deficiencies, and bad farming practices. These drawings were produced in connection with his position at the Ministry, which he described as forming a “link between the farm and the research station.” Farmers would send samples of afflicted crops to the Ministry, and Dillon Weston would diagnose the problem and offer solutions. This work was an example of the emerging school of “New” or “Economic” Botany, in which economically important plant diseases were studied with an eye to increasing crop yields.
Typed notes accompanying the paintings suggest that many of them were depictions of samples received by Dillon Weston at the Ministry, though it is unclear why he made them. Like his glass fungi models, also held by the Whipple (Wh.5826), the paintings may have been a hobby undertaken during bouts of insomnia.
Some of these paintings have been cut out and pasted on ceramic tiles, often with labels identifying the fungus depicted. This tile was part of a collection of Dillon Weston’s belongings that were donated to the museum in 2012.
11/09/2018
Created by: Matthew Green on 11/09/2018
FM:47311
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