Accession No
6662.9
Brief Description
Folder of 14 paintings/drawings labelled "Mint Rust," no. 9 of 35, by Dr W. A. R. Dillon Weston, English, 1930s
Origin
England; Cambridgeshire
Maker
Dillon Weston, W. A. R.
Class
natural history
Earliest Date
1932
Latest Date
1938
Inscription Date
Material
paper
Dimensions
365mm x 250mm
Special Collection
Dr W. A. R. Dillon Weston Collection
Provenance
Inscription
Many pages have typed notes; see Description Notes.
Description Notes
Folder of 14 paintings/drawings labelled "Mint Rust," no. 9 of 35, by Dr W. A. R. Dillon Weston, English, 1930s
Note: all objects have been transferred into archive folders for conservation purposes; original folders were photographed (see Images) and disposed of.
6662.9.a -- "Mint Rust Puccinia menthae. Pers."
A watercolour painting of an infected mint plant, with the date (15 May 1934).
6662.9.b -- "Mint Rust Puccinia menthae. Pers."
A watercolour painting of an infected mint plant, with the date (15 May 1934) and notes on the farm of origin. A note that experimental work has been undertaken at the farm in co-operation with Horticultural Department Cambridgeshire County Council.
6662.9.c -- "RUST OF MINT. Puccinia menthae. Pers."
A watercolour painting of an infected mint plant. The typed notes describe the fungus, its progression, and methods for preventing and controlling it.
6662.9.d -- "Mint Rust Puccinia menthae."
A watercolour painting of an infected mint plant with the farm of origin and date noted (1 June 1934).
6662.9.e -- "Mint Rust Puccinia menthae."
A watercolour painting of an infected mint plant with the farm of origin and date noted (1 June 1934).
6662.9.f --
An unlabelled drawing of a mint plant. Dated, in pencil, 16 June 1934.
6662.9.g -- "Mint Rust Puccinia menthae, Pers."
This and the following seven pages, consisting of typed notes and no drawings, describe an experiment that tested various strategies for controlling mint rust. Different plots received different treatments, and the proportion of infected plants in each plot was recorded and compared. The experiment was carried out from 1933-1935 on the farm of Mrs S. Smith in Cambridgeshire and there are directions (probably to someone at the farm) on how to keep field observations as the experiment progressed.
6662.9.h --
6662.9.i --
6662.9.j --
6662.9.k --
6662.9.l --
6662.9.m --
6662.9.n --
References
Events
Description
Dr. W.A.R. Dillon Weston spent all of his professional life in Cambridge. After obtaining his degree in Natural Sciences at St. Catharine’s College, Dr. Dillon Weston gained employment as a mycologist (an expert in the study of fungi) at the Ministry of Agriculture and Fisheries. Ministry Pathologists at that time were stationed at universities, where teaching and supervision of students were included as part of their duties.
During the 1930’s, Dillon Weston produced nearly 1,000 watercolour paintings of plants suffering from a wide variety of afflictions: mostly various fungal infections, but also pest attacks, nutrient deficiencies, and bad farming practices. These drawings were produced in connection with his position at the Ministry, which he described as forming a “link between the farm and the research station.” Farmers would send samples of afflicted crops to the Ministry, and Dillon Weston would diagnose the problem and offer solutions. This work was an example of the emerging school of “New” or “Economic” Botany, in which economically important plant diseases were studied with an eye to increasing crop yields.
Typed notes accompanying the paintings suggest that many of them were depictions of samples received by Dillon Weston at the Ministry, though it is unclear why he made them. Like his glass fungi models, also held by the Whipple (Wh.5826), the paintings may have been a hobby undertaken during bouts of insomnia. Some of the paintings are demonstrative or didactic in nature, and Dillon Weston may have used them in his lectures at the university, which he endeavoured to make “as interesting as possible,” according to a 1952 profile in Varsity, the Cambridge student newspaper.
The paintings demonstrate a careful attention to detail and a desire for accurate representation, which sometimes led Dillon Weston to push up against the limits of flat, two-dimensional representation. For example, he used painted cotton stuffing underneath layers of paper to imitate spores bulging up underneath a scab on an apple tree (Wh.6662.28, Wh.6662.29), and splashes of blue watercolour paint to demonstrate how far fungal spores can be spread by raindrops (6662.10).
12/09/2018
Created by: Matthew Green on 12/09/2018
FM:47331
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