Accession No
6662.31
Brief Description
Folder of 32 paintings/drawings labelled "Pear Scab," no. 31 of 35, by Dr W. A. R. Dillon Weston, English, 1930s
Origin
England; Cambridgeshire
Maker
Dillon Weston, W. A. R.
Class
natural history
Earliest Date
1932
Latest Date
1938
Inscription Date
Material
paper
Dimensions
365mm x 250mm
Special Collection
Dr W. A. R. Dillon Weston Collection
Provenance
Inscription
Many pages have typed notes; see Description Notes.
Description Notes
Folder of 32 paintings/drawings labelled "Pear Scab," no. 31 of 35, by Dr W. A. R. Dillon Weston, English, 1930s
NOTE: all objects have been transferred into archive folders for conservation purposes; original folders were photographed (see Images) and are stored separately.
6662.31.a -- "SCAB PUSTULES."
Watercolour and pen drawing of a bud and spur wood of a pear tree.
6662.31.b -- "PEAR SCAB."
Watercolour of a pear scab on spur, dated 5 April 1936.
6662.31.c -- "PEAR SCAB."
Watercolour of a pear scab with typed description of the specimen.
6662.31.d --
Watercolour and pen drawing of pear scab, dated 5-6 April 1936.
6662.31.e --
Watercolour and pen drawing of pear scab, dated 4-5 April 1936.
6662.31.f -- "PEAR SCAB."
Watercolour of a pear scab with typed description of the specimen.
6662.31.g -- "PEAR SCAB."
Watercolour of a pear scab with typed description of the specimen.
6662.31.h -- "PEAR SCAB."
Watercolour of a pear spur with typed description of the specimen and fungus, dated 1933.
6662.31.i -- "AFFECTED SPUR WOOD OF DOYENNE DU CONICE."
Watercolours of spurs pasted on a smaller ( ) piece of paper, with typed description of the spurs.
6662.31.j -- "STAGES OF APPLE AND PEAR TWIGS WHEN SCAB SPORES WERE FIRST TRAPPED ON THE SLIDES."
Six watercolours of pear branches pasted on the page, with typed descriptions of each stage.
6662.31.k -- "RATE OF THE GROWTH OF THE SCAB ORGANISMS"
Four pen sketches of test tubes pasted on the page, with typed description of the results of the experiment, and on the fungus generally.
6662.31.l -- "INFECTED DURONDEAU PEARS"
Watercolour and pen drawing of infected pear fruitlets.
6662.31.m -- "Pear Scab."
Pen drawing of a pear flower, 26-30 April 1936.
6662.31.n --
Unlabelled pen drawing of a pear bud.
6662.31.o --
Unlabelled pen drawing of a pear bud.
6662.31.p -- "INFECTED DURONDEAU PEARS"
Watercolour and pen drawing of infected pear fruitlets.
6662.31.q -- "SCAB PUSTULES"
Pen drawing of a pear fruitlet.
6662.31.r -- "PEAR SCAB"
Watercolour of a pear bud. The watercolour has been pasted on the page, and cut open in two spots, where some material has been stuffed between the watercolour and the page in order to create a bulge; this material, painted black, simulates the spores. Dated 27 March 1933.
6662.31.s --
Unlabelled watercolour of pear buds.
6662.31.t -- "PEAR SCAB."
Two watercolours of pear branches. The watercolour has been pasted on the page, and cut open in two spots, where some material has been stuffed between the watercolour and the page in order to create a bulge; this material, painted black, simulates the spores. Typed notes describe the specimen and spread of disease.
6662.31.u -- "PEAR SCAB."
A watercolour of pear a pear bud. The watercolour has been pasted on the page, and cut open in two spots, where some material has been stuffed between the watercolour and the page in order to create a bulge; this material, painted black, simulates the spores. Typed notes describe the specimen and spread of disease.
6662.31.v -- "PEAR SCAB."
A watercolour of pear a pear bud. The watercolour has been pasted on the page, and cut open in two spots, where some material has been stuffed between the watercolour and the page in order to create a bulge; this material, painted black, simulates the spores. Dated 20 March 1923 (sic?).
6662.31.w -- "PEAR SCAB."
Watercolour of a pear branch with black scabs; typed description of specimen, dated 24 March 1933.
6662.31.x -- "PEAR SCAB'
Watercolours of two pear branches. On the right, the watercolour has been pasted on the page, and cut open in five spots, where some material has been stuffed between the watercolour and the page in order to create a bulge; this material, painted grey, simulates the spores. Typed description of the specimen dated 12 March.
6662.31.y -- "PEAR SCAB"
Watercolour of a pear branch pasted on the page with typed description of the specimen, dated 2 March 1933.
6662.31.z -- "PEAR SCAB"
Pen drawings of two pear twigs, with typed descriptions of the specimens dated 20 March 1933.
6662.31.aa -- "PEAR SCAB Marguerite Marrilot"
Watercolour of a pear bud, The watercolour has been pasted on the page, and cut open in two spots, where some material has been stuffed between the watercolour and the page in order to create a bulge; this material, painted black, simulates the spores.
6662.31.bb -- "SCAB DAMAGE VENTURIA PYRINA"
Watercolour of a pear branch section, with typed description of specimen, dated 19 June 1933.
6662.31.cc --
Unlabelled watercolour, possibly unfinished, of a pear bud.
6662.31.dd --
Four unlabelled watercolours of pear leaves, buds and flowers.
6662.31.ee --
Small watercolour of a pear leaf, with typed description of specimen, dated 26 April 1936.
6662.31.ff --"PEAR SCAB, Venturia pyrina."
Four watercolours of conidia, magnified x1000.
References
Events
Description
Dr. W.A.R. Dillon Weston spent all of his professional life in Cambridge. After obtaining his degree in Natural Sciences at St. Catharine’s College, Dr. Dillon Weston gained employment as a mycologist (an expert in the study of fungi) at the Ministry of Agriculture and Fisheries. Ministry Pathologists at that time were stationed at universities, where teaching and supervision of students were included as part of their duties.
During the 1930’s, Dillon Weston produced nearly 1,000 watercolour paintings of plants suffering from a wide variety of afflictions: mostly various fungal infections, but also pest attacks, nutrient deficiencies, and bad farming practices. These drawings were produced in connection with his position at the Ministry, which he described as forming a “link between the farm and the research station.” Farmers would send samples of afflicted crops to the Ministry, and Dillon Weston would diagnose the problem and offer solutions. This work was an example of the emerging school of “New” or “Economic” Botany, in which economically important plant diseases were studied with an eye to increasing crop yields.
Typed notes accompanying the paintings suggest that many of them were depictions of samples received by Dillon Weston at the Ministry, though it is unclear why he made them. Like his glass fungi models, also held by the Whipple (Wh.5826), the paintings may have been a hobby undertaken during bouts of insomnia. Some of the paintings are demonstrative or didactic in nature, and Dillon Weston may have used them in his lectures at the university, which he endeavoured to make “as interesting as possible,” according to a 1952 profile in Varsity, the Cambridge student newspaper.
The paintings demonstrate a careful attention to detail and a desire for accurate representation, which sometimes led Dillon Weston to push up against the limits of flat, two-dimensional representation. For example, he used painted cotton stuffing underneath layers of paper to imitate spores bulging up underneath a scab on an apple tree (Wh.6662.28, Wh.6662.29), and splashes of blue watercolour paint to demonstrate how far fungal spores can be spread by raindrops (6662.10).
12/09/2018
Created by: Matthew Green on 12/09/2018
FM:47356
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